Adam Gilbert, Workshop Director, recorder and double reeds
Bianca Hall, Workshop Assistant Director, voice and Renaissance song
Anne Azéma, voice and medieval song
Mary Springfels, viola da gamba and vielle
David Morris, viola da gamba
Rotem Gilbert, recorder and double reeds
Adam Bregman, sackbut and early winds
Adam Gilbert, Workshop Director, recorder and double reeds
Adam Knight Gilbert has performed and recorded on historical woodwind instruments as a member of Ensemble for Early Music, Waverly Consort, Piffaro, and is co-director of the ensemble Ciaramella, whose recent CD Dances on Movable Ground earned 5 stars by the British magazine Early Music Today and was picked the Editor’s Choice, lauded for its “expressive fluidity and rhythmic vitality”.
Adam received Fulbright and Belgian American Education Foundation Grants for study in Belgium, and completed his Ph.D. in Performance Practice at Case Western Reserve University. He has taught musicology on the faculty of Stanford University and the University of Southern California, where he is currently Associate Professor of Musicology and Director of the Early Music Program. A recipient of the 2008 Noah Greenberg Award, he specializes in historical improvisation and compositional techniques, the music of Henricus Isaac, musical symbolism, the bagpipe, and fifteenth-century chansons.
Adam is the joint recipient of Early Music America’s 2014 Thomas Binkley Award for “outstanding achievement in performance and scholarship by the director of a university or college early music ensemble.” He has been a regular faculty member at Amherst Early Music, and is the director of the San Francisco Early Music Society Medieval & Renaissance Workshop. He can be heard on Dorian, Naxos, Deutsche Grammophon’s Archiv, Passacaille, Musica Americana, Lyrichord and Yarlung labels.
Bianca Hall, Workshop Assistant Director, voice
Bianca Hall holds a Doctor of Musical Arts degree in Early Music Performance from the University of Southern California Thornton School of Music, where her secondary fields of emphasis were Theory and Analysis, College Teaching, and Recorder Performance. In addition, she has received both Master of Music and Bachelor of Music degrees in Vocal Performance from CSU Fullerton and a Bachelor of Science degree in Physiological Science and English minor from the University of California, Los Angeles. Bianca is currently on the music faculty at
Old Dominion University in Norfolk, VA, where she holds the position of Early Music Lecturer, directing the Madrigal Singers and the Collegium Musicum and teaching courses in Music History.
Bianca is an active early music performer, specializing in the performance of seventeenth-century Italian florid singing and seventeenth- and eighteenth-century English balladry. She has performed in various festivals and concert series around the country, including the Boston and Berkeley Early Music Festivals and Pittsburgh’s Renaissance and Baroque Society concert series, and with various ensembles, including Tallis Chapel Society, Bach Collegium San Diego, De Angelis Vocal Ensemble, Tesserae, and Ciaramella.
Bianca’s recordings include “D’ye Hear the News,” music to accompany 1688: The First Modern Revolution (Yale University Press, 2011), “J.S. Bach: The Six Motets BWV 225-230” with Bach Collegium San Diego (RMAP, 2010), and “Ancient Christmas Melodies” (Virlouise Records, 2006). http://www.biancahall.com
Rotem Gilbert, winds
Recorder player Rotem Gilbert is a native of Haifa, Israel and a founding member of Ciaramella, an ensemble specializing in music of the 15th and 16th centuries. Ciaramella has performed throughout the United States, in Belgium, Germany, and Israel, and released a CD on the Naxos Label, and two recordings with Yarlung Records. Their recent CD Dances on Movable Ground has earned 5 stars by Britten’s magazine Early Music Today and is picked the Editor’s Choice, lauded for its “expressive fluidity and rhythmic vitality”. She was a member of Piffaro (1996-2007), and has appeared with many early music ensembles in the United States and in Europe. Rotem has been featured as a soloist for the Pittsburgh Opera, the LA Opera, Musica Angelica and the LA Phil. After studies on recorder at Mannes College of Music in New York with Nina Stern, she earned her solo diploma from the Scuola Civica di Musica of Milan where she studied with Pedro Memelsdorff. She earned her doctorate in Early Music performance practice at Case Western Reserve University. She is an assistant professor at the USC Thornton School of Music where she teaches Baroque and Renaissance performance practice courses and is an instructor of early music winds. Rotem received the 2012 Dean’s Award for Excellence in Teaching at USC and is the joint recipient of the 2014 Thomas Binkley Award. She has been a regular faculty member of early music workshops and is the co-director of SFEMS Recorder Workshop. Rotem can be heard on the Deutsche Grammophon’s Archiv, Passacaille, Musica Americana, Dorian, Naxos and Yarlung labels.
Mary Springfels, viol and vielle
Mary Springfels is a veteran of the American Early Music movement. She was the founder/director of the Newberry Consort in Chicago and has taught at SFEMS Workshops for at least 25 years, but who’s counting? In the recent past, she has been a soloist with the Victoria and Arizona Bach Festivals, the Houston Bach Society, and, as a frequent guest with Ars Lyrica Houston, has appeared and the Berkeley and Houston Early Music Festivals. She maintains long-standing musical friendships with Sonoma Bach, the Texas Early Music Project, and the Folger Consort. This summer, she will be on the faculties of Pacific Northwest Viols, the VdGSA Conclave, and the Texas Toot, and will direct the Rio Rico Viol Weekend in Arizona. Mary has begun a well-received concert series in Santa Fe called Severall Friends, which features local and nationally -recognized artists, including Matthew Dirst, Elizabeth Blumenstock, Mark Rimple and Drew Minter.
Anne Azéma, voice
French-born vocalist and scholar Anne Azéma directs The Boston Camerata (2008) and the French ensemble Aziman (2005). Her current discography of 35 recordings (Grand Prix du Disque; Edison Prize) includes five widely acclaimed solo CD recitals.
Since assuming the directorship of The Boston Camerata in 2008, she has created a series of twelve new productions, acclaimed by press and public alike. Ms. Azéma is in demand as a solo recitalist, presenting her original programs to audiences in North America, Europe, the Middle East and Asia. Her collaboration with the Tero Saarinen Company (Helsinki, Finland) around early American songs has been praised on three continents. In November 2014, she edited, directed and staged The Play of Daniel to critical and public acclaim. She is currently at work on the reprise of a 14 th century French music theater production (The Night’s Tale – Le Tournoi de Chauvency).Among her teaching activities are master classes, seminars, and residencies at conservatories and universities here and abroad. She has contributed articles to scholarly and general audience publications. In 2010, Ms. Azéma was named Chevalier des Arts et des Lettres by the French Government. Ms. Azéma has been the Robert M. Trotter Distinguished Visiting Professor at the University of Oregon, Eugene in 2012, has lectured at New York University, Boston University, is faculty at the Longy School of Music of Bard College. The second film in which she has appeared has received two prizes at the Montréal FIFA (2014). In 2015, she has been invited to teach at the Fondazione Cini, Venice ; the Fondazione Benetton, Treviso ; the Schola Cantorum, Basel and was a Visiting Artist at the Massachusetts Institute of Technology.
“A most accomplished singer, Anne Azéma, is a riveting narrator. She manages to express, both in song and in words, intense passion, delight and longing in delicate detail. A breath of fresh air.” – Gramophone, London