Recorder Faculty

Week I:
Clea Galhano
Frances Feldon
Rotem Gilbert
Hanneke van Proosdij
Sarah Cantor
Recorder Orchestra director: Hanneke van Proosdij

Week II:
Vicki Boeckman
Louise Carslake
Rotem Gilbert
Alexa Haynes-Pilon
Hanneke van Proosdij
Recorder Orchestra director: Rotem Gilbert

Rotem Gilbert, Workshop Co-Director

EMA_YP_Jun_6 (164 of 305)Recorder player Rotem Gilbert is a native of Haifa, Israel and a founding member of Ciaramella, an ensemble specializing in music of the 15th and 16th centuries. Ciaramella has performed throughout the United States, in Belgium, Germany, and Israel, and released a CD on the Naxos Label, and two recordings with Yarlung Records. Their recent CD Dances on Movable Ground has earned 5 stars by Britten’s magazine Early Music Today and is picked the Editor’s Choice, lauded for its “expressive fluidity and rhythmic vitality”. She was a member of Piffaro (1996-2007), and has appeared with many early music ensembles in the United States and in Europe. Rotem has been featured as a soloist for the Pittsburgh Opera, the LA Opera, Musica Angelica and the LA Phil. After studies on recorder at Mannes College of Music in New York with Nina Stern, she earned her solo diploma from the Scuola Civica di Musica of Milan where she studied with Pedro Memelsdorff. She earned her doctorate in Early Music performance practice at Case Western Reserve University. She is an assistant professor at the USC Thornton School of Music where she teaches Baroque and Renaissance performance practice courses and is an instructor of early music winds. Rotem received the 2012 Dean’s Award for Excellence in Teaching at USC and is the joint recipient of the 2014 Thomas Binkley Award. She has been a regular faculty member of early music workshops and is the co-director of SFEMS Recorder Workshop. Rotem can be heard on the Deutsche Grammophon’s Archiv, Passacaille, Musica Americana, Dorian, Naxos and Yarlung labels.

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Hanneke van Proosdij, Workshop Co-Director

van proosdij hanneke picHanneke van Proosdij is renowned for the elegance, virtuosity, and expressiveness of her playing. She performs regularly as soloist and continuo specialist with Philharmonia Baroque Orchestra, Festspiel Orchester Goettingen and Voices of Music. She has appeared regularly with Hesperion XX, Concerto Palatino, Magnificat, American Bach Soloists, Concerto Köln, Chanticleer, the Dallas Symphony, Gewandhaus Orchester and the Arcadian Academy. Together with her husband, David Tayler, Hanneke co-founded and co-directs Voices of Music. With over ten million viewers worldwide, Voices of Music is the most popular Early Music ensemble in the United States. She also is a co-founder of the Junior Recorder Society in the East Bay and directs, together with Rotem Gilbert, the SFEMS Recorder Workshop. Hanneke teaches recorder at UC Berkeley and has been a guest professor at Stanford, Oberlin, Indiana University Jacobs School of Music, University of Wisconsin and the University of Vermont. Hanneke enjoys reading books, downhill skiing and hiking.

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Louise Carslake, Recorder

Louise Carslake is well known to Bay Area audiences as a performer on the baroque flute and the recorder. She is a member of the baroque ensemble Music’s Re-creation and the Farallon Recorder Quartet, and also plays with Magnificat and the Jubilate Baroque Orchestra. She has performed widely in her native Britain, as well as in New Zealand, Poland, Ireland, and the Netherlands, and has made over ten CD recordings. Louise is co-founder of the Junior Recorder Society in the East Bay and has taught at many workshops. She coaches baroque flute at U.C. Berkeley, and for fifteen years directed the early music ensembles at Mills College.

Louise holds the graduate diploma from Trinity College of Music, London, and also studied with Wilbert Hazelzet in the Netherlands, and Nikolaus Harnoncourt at the Mozarteum in Salzburg, Austria.

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