Archive | Affiliate News

Damning With Feints and Praise

Musical paeans rarely damn with faint praise. And on September 30, Coro Ciconia, directed by Asher Davison, will open the 2018–19 SFEMS-CJC series with a praiseworthy program of works by Machaut, Ciconia, and others. Performers in this a cappella vocal program will be Cheryl Koehler, Dorothy Manly, Jean McAneny, Ralph Prince, Scott Robinson, and Helen […]

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Tactus Seeks New Director: Applications Deadline Extended to June 15

SFEMS Affiliate Tactus (tactus-sf.org), a 12–16 voice Renaissance chamber chorus in San Francisco, is seeking a Music Director to lead the chorus at weekly rehearsals and three performance weekends per year. This is a part-time, year-round, volunteer position. Some financial support may be available, depending on the qualifications of the candidate. The candidate must be available for evening rehearsals (currently […]

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CJC/SFEMS Early Music Sundays

Call for proposals: 2018–19 Series SFEMS is accepting concert proposals for the California Jazz Conservatory/SFEMS Early Music Sundays 2018–19 series. Participation in this series is open to SFEMS Affiliates and members of SFEMS. All performances in this series take place on Sunday afternoons at 4:30 p.m.  Programs should be approximately one hour in length with […]

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Render Unto Cæsar

The new year’s Sunday Afternoon concert series at the California Jazz Conservatory concludes on April 15 with a special program celebrating the 16th Amendment to the US Constitution. Les Violettes (Corey Carleton, soprano; David Wilson, violin; Colin Shipman, viola da gamba; and Violet Grgich, harpsichord) perform music from the Court of Leopold I, Holy Roman […]

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Music in the Garden of Delight: Song and Dance in Early Spain

The new year’s Sunday Afternoon concert series at the California Jazz Conservatory continues on March 25 with a program of medieval Spanish and Arabic music from Flauti Diversi. Musical Director Frances Feldon and the group have presented a variety of programs at the CJC, many of which feature the intersection of different musical traditions. Flauti […]

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From Madrigal to Opera: Music and Poetry in 16th-century Italy

The madrigal was to Monteverdi what the symphony was to Haydn and the string quartet was to Beethoven: a form of endless inventiveness and a crucible of experimentation. Inexorably bound to the vital tradition of Petrarchan lyric poetry, the madrigal was where Italian composers developed their craft and pushed the boundaries of music as an […]

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The Baillot Quartet

This season, the New Esterházy Quartet (Lisa Weiss and Kati Kyme, violin; Anthony Martin, viola; and William Skeen, cello) have been treating Bay Area audiences to delightful snapshots of string quartet performance history. So far, the programs they brought to life—the 1766 “Tuscan Quartet” in September and the 1784 “Party at Storace” in November—have been […]

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